Jelikoz se chystam v blizke dobe na nakupy, potrebuji poradit monitory za max. 30 tisic za par. Soutezici (nektery uz predem zrejme nevyhovujici)- KRK V8II, Event ASP6/8, Fostex NX6A, Dynaudio Acoustics BM5A, Tannoy REVEAL 66D, mozna nejaky Blue Sky... Poradte, pratele. Zatim uvazuju o KRKcich. Moje hudba je dost o basech, cili bych rad mel 8 palcovej woofer... Ale jsem otevrenej i jinejm moznostem ,) Diky za kazdou radu a zkusenost...
P.S. napadlo me i tohle, ale to je asi ulet (moc maly a navic pasivni, radsi bych aktivni)... http://www.thomann.de/thoiw2_adamthe_ta ... dinfo.html Jo a stejne bych ty tweetery asi okamzite snedl rozkosi, takze by to bylo nanic... jsem vasnivej, musim si koupit neco hnusnyho :)
Aktivni monitory okolo 15 tisic za kus
Aktivni monitory okolo 15 tisic za kus
Naposledy upravil(a) Cyril dne 19 kvě 2006 00:38, celkem upraveno 1 x.
... kdyz budes chctit poslechnout BM5A tak jsem k sluzbam 
. Myslim ze basy nezalezi jen na prumeru reproduktoru ...
. Myslim ze basy nezalezi jen na prumeru reproduktoru ...Freelance zvukař, uživatelská a prodejní podpora u Audiopro s.r.o.
http://www.soundman.cz | http://www.audiopro.cz | http://www.zvukarskaskola.cz
http://www.soundman.cz | http://www.audiopro.cz | http://www.zvukarskaskola.cz
Malo zkusenosti... Jakej je tvuj nazor na nejlepsi bedny v tyhle cenovy kategorii? DekujuA nebo neco mensiho+ subwoofer? Treba tak: http://www.kraftmusic.com/catalog/audio ... akers/2192 ... Blue Sky na gearslutech doporucujou...
Hmm, to vypada lahudkove-
http://www.soundonsound.com/sos/apr04/a ... /event.htm
http://mixonline.com/products/review/au ... index.html
"I just spent the last 6 hours comparison shopping. My list of speakers tested includes: Alesis Monitor 1 MKIIs, Event SP8s, SP6s, TR8s, TR6s, Fostex PM1s and PM0.5s, Samsons of all kinds, Mackie 824s and 624s, KRK Rockit 5s and 8s and V8s, and M-Audio BX8s. I'm new to the monitor world, but not to the music world - I play about 10 different instruments and have a very good ear, from what I've been told.
Anyway, after listening to all of those speakers, the Event SP8s were my favorites out of ALL of those speakers listed. They are smooth, defined, have full, tight, punchy bass that's not boomy, are a pleasure to listen to... I could go on and on. The were by far my favorites for the day, and I would highly recommend them. Now, if only I had the money to buy them..." Hmm!!!
http://www.soundonsound.com/sos/apr04/a ... /event.htm
http://mixonline.com/products/review/au ... index.html
"I just spent the last 6 hours comparison shopping. My list of speakers tested includes: Alesis Monitor 1 MKIIs, Event SP8s, SP6s, TR8s, TR6s, Fostex PM1s and PM0.5s, Samsons of all kinds, Mackie 824s and 624s, KRK Rockit 5s and 8s and V8s, and M-Audio BX8s. I'm new to the monitor world, but not to the music world - I play about 10 different instruments and have a very good ear, from what I've been told.
Anyway, after listening to all of those speakers, the Event SP8s were my favorites out of ALL of those speakers listed. They are smooth, defined, have full, tight, punchy bass that's not boomy, are a pleasure to listen to... I could go on and on. The were by far my favorites for the day, and I would highly recommend them. Now, if only I had the money to buy them..." Hmm!!!
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aum generator
- Příspěvky: 869
- Registrován: 01 bře 2005 03:46
Gearslutz:
"Firstly.. ?truth in advertising? - I endorse the Event SP8?s - but they don?t pay me any money ..... they just stick my photo in ads in audio magazines....
My honest opinion? When I was shopping around for near field monitors I spent about six months carefully comparing many, many different pairs of speakers..... (tho not KRK?s) from passive to active - from Finnish to Canadian to American to British ..... from $1,000 pair to $5,000 + + a pair....... in a world class control room (The 20th Century Fox Newman scoring stage, where I used to be on staff before I went freelance) in a very carefully calibrated manner. I would listen to a very wide range of music - as that is what I work on - a very wide range of music.
.... and I ended up finding the best overall compromise to be the Event Studio Precision 8?s
note I used the word ?compromise? - I?m the first to say that there isn?t a perfect speaker (or mic, or reverb, DAW, or tape machine, or anything!) EVERYTHING IS FLAWED. It is up to you to find the best set of compromises for you.
Anyway. I digress. I use the Event SP8?s and I?ve been happy with how my mixes have translated to tv, to the big screen, to CD, to video game consoles.... and so have my clients. Everything from techno/electronica to string quartets to huge orchestras to hybrid film scores.... the works. They are also manageable for me to cart around to different recording and mixing studios. There are certainly better speakers out there, (and worse ones too)....... but in my experience, you won?t find a better set of powered speakers for approx $1,300 a pair, (or a bit less if you shop around) and in that size of enclosure. More expensive mid-field speakers (and some custom installed soffit mounted setups) can do things that nearfields cant - but a much greater cost.
And - for what it is worth - a good number of my composer clients and other industry pals ended up buying Event SP8?s for their own studios after hearing mine at my studio. And no - they didn?t get a deal thru me. They payed full retail.
Be sure that when you are comparing speakers - make sure the volumes are exactly matched. or else you?ll prefer the louder speaker - even if it is ?worse?.
Also - make sure your listening environment is acoustically treated!
Good luck with your quest
John
__________________
Scoring Mixer / Recording Engineer
Los Angeles, California
http://www.johnrodd.com"
"Firstly.. ?truth in advertising? - I endorse the Event SP8?s - but they don?t pay me any money ..... they just stick my photo in ads in audio magazines....
My honest opinion? When I was shopping around for near field monitors I spent about six months carefully comparing many, many different pairs of speakers..... (tho not KRK?s) from passive to active - from Finnish to Canadian to American to British ..... from $1,000 pair to $5,000 + + a pair....... in a world class control room (The 20th Century Fox Newman scoring stage, where I used to be on staff before I went freelance) in a very carefully calibrated manner. I would listen to a very wide range of music - as that is what I work on - a very wide range of music.
.... and I ended up finding the best overall compromise to be the Event Studio Precision 8?s
note I used the word ?compromise? - I?m the first to say that there isn?t a perfect speaker (or mic, or reverb, DAW, or tape machine, or anything!) EVERYTHING IS FLAWED. It is up to you to find the best set of compromises for you.
Anyway. I digress. I use the Event SP8?s and I?ve been happy with how my mixes have translated to tv, to the big screen, to CD, to video game consoles.... and so have my clients. Everything from techno/electronica to string quartets to huge orchestras to hybrid film scores.... the works. They are also manageable for me to cart around to different recording and mixing studios. There are certainly better speakers out there, (and worse ones too)....... but in my experience, you won?t find a better set of powered speakers for approx $1,300 a pair, (or a bit less if you shop around) and in that size of enclosure. More expensive mid-field speakers (and some custom installed soffit mounted setups) can do things that nearfields cant - but a much greater cost.
And - for what it is worth - a good number of my composer clients and other industry pals ended up buying Event SP8?s for their own studios after hearing mine at my studio. And no - they didn?t get a deal thru me. They payed full retail.
Be sure that when you are comparing speakers - make sure the volumes are exactly matched. or else you?ll prefer the louder speaker - even if it is ?worse?.
Also - make sure your listening environment is acoustically treated!
Good luck with your quest
John
__________________
Scoring Mixer / Recording Engineer
Los Angeles, California
http://www.johnrodd.com"
.Jo?
Neberte si to osobne, ale ze je drevo drevo, to vime. Snad jde o to, jak to zni, ne? Ja zas nevim, ze nekdo musi reagovat za kazdou cenu. Za prve to vubec neni cenove jinde - 30k za par a za druhe jsem ocekaval, ze se k tomu vyjadri nekdo, kdo ma s temito malymi Genelecy zkusenost, nebo je alspon slysel.Viki píše:...neéé,dřevo je dřevo a vůbec cenově je to zase jinde...punkt píše:A co GENELEC 8030A ?
... jezisi prestan se probirat tema forama nebo z toho zblbes ! Proc si to do pytle nejdes nekam poslechnout ? Tomuhle pristupu vazne nerozumim ... do zblbnuti okecavat a vyhledavat dobmaticke poucky ...Cyril píše:Strasne by me zajimal neci fundovanej nazor napr. na KRK V8II vs. maly Dynaudio BM5a(c)... Podle ceho se sakra rozhodnout? Jakoze KRK vic basu, Dynaudia lepsi stereo a detaily, nebo jak? To je dilema todlencto teda
Rozhodni se podle ucha sakra !
Freelance zvukař, uživatelská a prodejní podpora u Audiopro s.r.o.
http://www.soundman.cz | http://www.audiopro.cz | http://www.zvukarskaskola.cz
http://www.soundman.cz | http://www.audiopro.cz | http://www.zvukarskaskola.cz
