Pretoze z toho co viem o DSP codingu mi toto znie ako trochu nezmysel Pokial sa pohybujes v digitalnej domene a DAW v ktorom pracujes ma 32 bit (albo neadjboze 64bit) internal mixing engine (co maju vsetky), tot tu absolutne neries, je to uplne kompletne nepodstatne Teda jedine ze by som nieco hlbsie nevedel (co je samozrejme mozne) Osobne si myslim ze pre tvorbu muziky tomu absolutne nepotrebujes rozumiet ) Jedine teda ak naozaj chces, ale pre produkovanie ti to nijak extra nepomoze .. ) no cisty chaos Kód: Vybrat vše
EBU R68 is used in most European countries, specifying +18 dBu at 0 dBFS
In Europe, the EBU recommend that -18 dBFS equates to the Alignment Level
European & UK calibration for Post & Film is −18 dBFS = 0 VU
UK broadcasters, Alignment Level is taken as 0 dBu (PPM4 or −4VU)
US installations use +24 dBu for 0 dBFS
American and Australian Post: −20 dBFS = 0 VU = +4 dBu
The American SMPTE standard defines −20 dBFS as the Alignment Level
In Japan, France and some other countries, converters may be calibrated for +22 dBu at 0 dBFS.
BBC spec: −18 dBFS = PPM "4" = 0 dBu
German ARD & studio PPM +6 dBu = −10 (−9) dBFS. +16 (+15)dBu = 0 dBFS. No VU.
Belgium VRT: 0 dB (VRT Ref.) = +6dBu ; -9dBFS = 0 dB (VRT Ref.) ; 0dBFS = +15dBu.
Navyse pluginom ktory ani neviem ako sa nastavuje,nerozumiem poriadne co zobrazuje a tak.. 
vsade by to takto malo fungovat, ak niekde nie, maju to nahovno naprogramovane a od takeho DAW ruky prec
)) Napriek tomu ze ta prva zdrojova stopa je stale cela v "cervenom" Ono riesit nejakeho typka na mega koncerte co nastavuje mix podla ucha a gain staging v digitalnom DAW ktore interne pracuje s 32 bit alebo dokonca 64 bit floating point je "trosku" uplne ze ina tema
