no do sousedniho tematu jsem nechtel analogaudiomanovi kecat, ale tady si uz neodpustim jizlivou poznamku. vypatlany je zejmena ten, kdo nechape, ze pro portable aplikace je inteligentni ztratova komprese genialnim resenim. sam se nestydim za to, ze jsem posledni dobou pred FLACem, APE apod. zacal temer bezvyhradne uprednostnovat 320kbps cbr mp3. na vetsine zarizeni nemam s touhle kvalitou problem a ani nejsem schopen poznat od WAV. proste jsem prestal nalhavat neco sam sobe.

Sice se tu řeší formáty, ale nevěděl jsem kde jinde hledat než pod názvem Mastering.. Zaujalo mě desatero od týpka, (Joe Gilder -který nabízí na netu lekce všeho možného), které mi přišlo v mailu.

While I'm no mastering guru, I've done quite a bit over the last few years, and I've put together a rapid-fire list of the things I've learned.

I hope these help.

Focus on dynamic range, not compression or gain reduction.
Have a reason for every plugin you use. If you don't know why you're using a plugin, ditch it.
Use reference material, even though it can be really boring and time-consuming.
Go for punchy bass, but be careful not to overdo it. Too much bass is a bad thing.
When mastering an album, an easy way to make sure the overall volume is consistent from song to song is to match the volume of the lead vocal.
When using EQ, boosts and cuts as little as 1 dB are actually fairly audible and effective.
Don't expect miracles from mastering. It will still sound like your mix at the end.
Multi-band compression is an amazing tool. Don't overuse it.
Don't be afraid to let the limiter work a little bit. It can be more transparent than a heavily-worked compressor.
Start with EQ, and work from there.

There ya go.

Don't expect miracles from mastering. It will still sound like your mix at the end.

tesat do kamene