1176LN vs. 2-1176
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1176LN vs. 2-1176
Mát někdo zkušenost porovnání s 1176LN vs. 2-1176. Jsou opravdu stejný? Snažil jsem se samo googlit, ale moudrej z toho moc nejsem. Našel jsem akorát spoustu tradičních esoterickejch postů. Spíš by mě to zajímalo asi z hlediska konstrukce.
Zajímavý čtení je http://www.gearslutz.com/board/gear-sho ... 178-a.html, ale blind testama nevydělávám tj. potřebuju nějaký praktický commenty.
Zajímavý čtení je http://www.gearslutz.com/board/gear-sho ... 178-a.html, ale blind testama nevydělávám tj. potřebuju nějaký praktický commenty.
Freelance film scoring engineer, producer, senior sound engineer & editor, Wwise apprentice
vitekkral.com | IMDb | ALLMUSIC
vitekkral.com | IMDb | ALLMUSIC
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- Profesionál
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- Registrován: 17 čer 2002 17:39
Re: 1176LN vs. 2-1176
Anebo alespoň kontakt na někoho kdo je má nebo mohl by tušit, poradit, poreferovat...
Freelance film scoring engineer, producer, senior sound engineer & editor, Wwise apprentice
vitekkral.com | IMDb | ALLMUSIC
vitekkral.com | IMDb | ALLMUSIC
Re: 1176LN vs. 2-1176
Zkusenost s porovnanim ani ne... ale kdyz tak porovnavam elektroniku, myslim, ze tam nejaky rozdil bude.
1176LN

2-1176

Ale lidi si celkem chvali tenhle klon
http://www.purpleaudio.com/mc77/
1176LN

2-1176

Ale lidi si celkem chvali tenhle klon
http://www.purpleaudio.com/mc77/
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- Profesionál
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Re: 1176LN vs. 2-1176
Nenene Purple určitě ne, ten je nejvíc gritty. To může bejt fajn, ale to nechci resp. nepotřebuju. Jesli je 2-1176 čistší než 1176LN, pak supr bral bych tu. Jestli je ale hubenější tj. nějakej bass drop, pak se mi do toho rozhodně nechce.
No co koukám má to jinej (spínanej) zdroj. Pak se mi ale zdá že 1176LN má trafo na vstupu, který v 2-1176 nevidim. Ano, pak ty kondy... Ještě jsem pátral a našel
The 2-1176 design has some differences when compared to our clone, by deliberate design. However, the circuit of the 2-1176 is very similar to the revision D/E originals - same class A circuit, same Putnam output transformer and FET gain reduction. While our classic reissues strive to be true to the original design and component choices in every way possible (LA-2A, LA-3A, 1176LN), with the iterative products we do take certain liberties for modernization and improvement. The 2-1176 really was derived from our award-winning channel strip the 6176, for which we layed out the 1176 in a smaller format. The product was so successful and the compressor so popular, we rolled the 1176 into a two channel version, hence the 2-1176. The 2-1176 has also been hugely popular and also won the TEC award.
Differences: the caps and resistors are modern and are actually better quality and tolerances with the 2-1176 (metal film instead of carbon, nice WIMAs). This could contribute to a subtly cleaner sound. The 2-1176 also comes with an output impedence selection on the rear of the unit 600 ohm (classic) 15,000 ohm (modern) which will also 'modernize' the tone. While the two units share the same custom Putnam designed output transformer, the input transformers are different; the reissue uses the transformer cloned from D/E generation of units which functions interdependently with the T Pad used for input gain, while the 2-1176 uses a custom Cinemag transformer. Obviously, to fit two 1176's into the same form factor require some modification of the circuit layout/topology but these changes are only made with due sonic consideration and respect for the original design philosophy. Any questions please call or email me.
-Will.
1 866 823 1176 ext. 55
Přesto bych le rád, kdyby mi o tom někdo řekl něco víc. Klidně pohledem na ty fotky otevřenejch unitů. Ještě shánim někoho kdo 2-1176 má...
No co koukám má to jinej (spínanej) zdroj. Pak se mi ale zdá že 1176LN má trafo na vstupu, který v 2-1176 nevidim. Ano, pak ty kondy... Ještě jsem pátral a našel
The 2-1176 design has some differences when compared to our clone, by deliberate design. However, the circuit of the 2-1176 is very similar to the revision D/E originals - same class A circuit, same Putnam output transformer and FET gain reduction. While our classic reissues strive to be true to the original design and component choices in every way possible (LA-2A, LA-3A, 1176LN), with the iterative products we do take certain liberties for modernization and improvement. The 2-1176 really was derived from our award-winning channel strip the 6176, for which we layed out the 1176 in a smaller format. The product was so successful and the compressor so popular, we rolled the 1176 into a two channel version, hence the 2-1176. The 2-1176 has also been hugely popular and also won the TEC award.
Differences: the caps and resistors are modern and are actually better quality and tolerances with the 2-1176 (metal film instead of carbon, nice WIMAs). This could contribute to a subtly cleaner sound. The 2-1176 also comes with an output impedence selection on the rear of the unit 600 ohm (classic) 15,000 ohm (modern) which will also 'modernize' the tone. While the two units share the same custom Putnam designed output transformer, the input transformers are different; the reissue uses the transformer cloned from D/E generation of units which functions interdependently with the T Pad used for input gain, while the 2-1176 uses a custom Cinemag transformer. Obviously, to fit two 1176's into the same form factor require some modification of the circuit layout/topology but these changes are only made with due sonic consideration and respect for the original design philosophy. Any questions please call or email me.
-Will.
1 866 823 1176 ext. 55
Přesto bych le rád, kdyby mi o tom někdo řekl něco víc. Klidně pohledem na ty fotky otevřenejch unitů. Ještě shánim někoho kdo 2-1176 má...
Freelance film scoring engineer, producer, senior sound engineer & editor, Wwise apprentice
vitekkral.com | IMDb | ALLMUSIC
vitekkral.com | IMDb | ALLMUSIC
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- Profesionál
- Příspěvky: 1080
- Registrován: 17 čer 2002 17:39
Re: 1176LN vs. 2-1176
Bump. Fakt nikdo nic jo? Ostřílení matadoři Ecson, Carloff, Matucha, Saša, Pytkin, atd., nikdo nic???
Freelance film scoring engineer, producer, senior sound engineer & editor, Wwise apprentice
vitekkral.com | IMDb | ALLMUSIC
vitekkral.com | IMDb | ALLMUSIC
Re: 1176LN vs. 2-1176
Ecsonovi napis skorej na Facebooku, on sem uz moc nechodi ...
Re: 1176LN vs. 2-1176
ve studiu mame 2-1176 i clon urei, ktery delal pan Ripa z PHY....ten Urei je podle me lepsi nez 1176,za zlomek ceny..napis do PM, lze vyzkouset/porovnat...
Re: 1176LN vs. 2-1176
Mozna by take stalo za to mrknout na tohle http://www.retroinstruments.com/176.php
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- Registrován: 12 čer 2013 22:36
Re: 1176LN vs. 2-1176
Ten klon Urei od Michala Ripy muzu potvrdit je super. Taky ho mame. Ale je to klon 1178, ktera se kdysi vyrabela, ne 1176. Treba na el gtr uplne super.