kontroler - pozicia knobov a faderov
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Hawkens
Niektore kontrolery to maju riesene "adaptovanym skokom", to znamena ze ak pohnes nejakym kontrolerom, ktoreho aktualna hodnota je napr. na midi skale 0-127 povedzme 30 a ty pohnes na 90, ten skok o 60 sa nevykona okamzite, ale v kratkom casovom intervale. Take "vyhladzovanie". Virusy to napriklad maju.
A niektore kontrolery maju tlacidla, ktorymi prepinas sety priradene ku cudlikom, napriklad ak ma kontroler 10 cudlikov a 4 take prepinace, mozes ovladat spolu 40 fukncii, ale vzdy len tych 10 ktorych mas prepnute.
A niektore kontrolery maju tlacidla, ktorymi prepinas sety priradene ku cudlikom, napriklad ak ma kontroler 10 cudlikov a 4 take prepinace, mozes ovladat spolu 40 fukncii, ale vzdy len tych 10 ktorych mas prepnute.
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to ma ten parameter taky maly rozsah ze ked posunies o 1 dielik tak pocut obrovsku zmenu?...no musim si to este doma vyskusat, MS20 som az tak vela netestoval skor Polysix, ale pri inych synthoch som s tym problem urcite nemal, ked pohnem knobom na kontroleri o 1 dielik tak sa pohne aj fine tune o 1 cent a to je taky maly rozdiel ze to ani nepocujes....
The MS20iC is lovely, and I particularly like the fact that when you switch it off and on again the program and the Edit screen jump to the physical values of its knobs and inserted cables. Unfortunately, the quantisation of its knobs is too coarse for careful programming.
To obtain precise adjustments, you must use the Shift key and mouse to change parameters on screen; programming in this fashion offers much finer control. This method allows you to program an Osc2 detune of 0.02, which results in a rich, slow 'chorusing' between the oscillators. In contrast, the smallest division available from the MS20iC's front panel is 0.19, which is far too great to create this effect.
toto je z recenzie na soundonsound... tu kritizuju ten pribaleny kontroler ale mne to moja evolution 449 robi presne rovnako, teda minimalny skok je 0.19
To obtain precise adjustments, you must use the Shift key and mouse to change parameters on screen; programming in this fashion offers much finer control. This method allows you to program an Osc2 detune of 0.02, which results in a rich, slow 'chorusing' between the oscillators. In contrast, the smallest division available from the MS20iC's front panel is 0.19, which is far too great to create this effect.
toto je z recenzie na soundonsound... tu kritizuju ten pribaleny kontroler ale mne to moja evolution 449 robi presne rovnako, teda minimalny skok je 0.19
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19 centov?.....ufff tak to je sakra dost, poriadna davka detuningu uz
...to sa ti potom nedivim ...no ono nie je chyba v kontroleri, ale v softwari, ze to naprogramovali tak blbo ze ten minimalny skok je taky obrovsky...
ohladom cubase...ti hovorim, pre sekvencovanie elektronickej hudby je jednoznacne najlepsi reason....nic lepsie nie je...keby sa s nim dali sekvencovat VST plugz cez Rewire to by bola parada, lenze toto sa neda, kua.....
ohladom cubase...ti hovorim, pre sekvencovanie elektronickej hudby je jednoznacne najlepsi reason....nic lepsie nie je...keby sa s nim dali sekvencovat VST plugz cez Rewire to by bola parada, lenze toto sa neda, kua.....
no vidis 
apropous, toto je husta kniznicka podobnych ftakovin
http://asseca-pt.net/nicfit/
a toto konkretne podla mna riesi tvoje trable:
http://asseca-pt.net/nicfit/cc_scale.html
apropous, toto je husta kniznicka podobnych ftakovin
http://asseca-pt.net/nicfit/
a toto konkretne podla mna riesi tvoje trable:
http://asseca-pt.net/nicfit/cc_scale.html




