Mikrofon na live zpěv(BETA58/OM6)?
Tipnul bych si, ze ten kondenzator diky sve vysoke citlivosti na tom bude podstatne hure.
Tady je nazor cloveka, ktery ma jak OM6, tak Betu58:
The OM6 hase a good "open" sound quality that requires little EQ to fit into a live mix. It may not have enough "cut" for hard rock or metal vocals because it has a fairly flat sounding response. The Beta 58's and 87 have more high end presence.
http://reviews.harmony-central.com/revi ... x/OM6/10/1
Tady je nazor cloveka, ktery ma jak OM6, tak Betu58:
The OM6 hase a good "open" sound quality that requires little EQ to fit into a live mix. It may not have enough "cut" for hard rock or metal vocals because it has a fairly flat sounding response. The Beta 58's and 87 have more high end presence.
http://reviews.harmony-central.com/revi ... x/OM6/10/1
Ja vim, vsak ja potrebuji nastrojovy mikrofon a chci na tuto funkci pouzivat Audix OM6, proto pro me bude lepsi ho prodat autorovi a koupit si SM57ku nebo betukexik píše:sm57 je nastrojovy mikrofon bez popfiltra... bacha na tie znacenia, zaciatocnik ta vezme doslovaWohma píše:Pokud bys mel zajem o Audix OM6, mel by mit jeden prijit ze statu emerickych, chtel jsem ho znasilnit a pouzivat na nahravani bicich a popripade kytary, ale pokud nabidnes dobrou cenu, tak bych misto toho radsi koupil nakou betu 57a, pripadne sm57 a sel se za zbyle penize opit


Ja pouzivam pri zivych vystoupenich jak SM58, tak Betu58 a kazdy z nich ma neco do sebe. Beta vic vycniva, coz je vhodne u hlavniho vokalu a SM58 je masitejsi a nas zvukar mi rekl, ze mu prijde muj hlas s SM58 prirozenejsi.
Proto ani jeden z tehle mikraku nema smysl zatracovat.
A Audixy jsou rozhodne zajimava alternativa.
Proto ani jeden z tehle mikraku nema smysl zatracovat.
A Audixy jsou rozhodne zajimava alternativa.
Jj, nezatracuji:-) Jsem přesvědčen o jejich kvalitě, ale audix používá nové technologie a podle uživatelů má teplejší zvuk, větší odolnost proti zpětné vazbě a snímání výšek zní jako mezikrok mezi dynamikou a kondenzátorem(díky very low mass membráně).
Ultimate Ears super.fi 5 Pro, db Technoligies IEM 1100, Audix OM6, Shure PG58, Behringer ULTRATONE K3000FX, Sansa e280 8GB, didgeridoo.
Jj, i ta SM58 co máme ve zkušebně je značně "ošišatělá":) A hraje pořád.
Ale pokud jde o mne, nehodlám mikrofonem házet o zdi ani je pouštět na zem
Když už jsme u toho, házel už někdo s OM6? Zajímal by mě výsledek 
Ale pokud jde o mne, nehodlám mikrofonem házet o zdi ani je pouštět na zem


Ultimate Ears super.fi 5 Pro, db Technoligies IEM 1100, Audix OM6, Shure PG58, Behringer ULTRATONE K3000FX, Sansa e280 8GB, didgeridoo.
Audixy na tom asi budou s mechanickou odolnosti hure. Budes si muset na nej davat pozor. Tady pise jeden uzivatel sve zkusenosti s OM5:
The reliability of this microphone is wretched. I thought it felt more solid than several mics I've used in the past, but was utterly wrong. This mic broke first when it rolled off an end table. The capsule fell loose from the mount. I got it repaired for free, and I thought the problems were over. I was wrong. It has since broke two more times, and this last time, I'm just going to say screw it. I've not thrown this mic or intentionally beat it on the floor or any such thing, it has simply fallen accidentally from heights not more than 3 feet at a time, which I would say is normal for a mic, accidents happen in the real world onstage. If you plan on taking this mic out of the case and actually using it, be VERY careful. It'll sound great, certainly, just as long as it doesn't hit the floor. The sound still gets a 10, but the reliability is an utterly crappy 2 and a half.
The reliability of this microphone is wretched. I thought it felt more solid than several mics I've used in the past, but was utterly wrong. This mic broke first when it rolled off an end table. The capsule fell loose from the mount. I got it repaired for free, and I thought the problems were over. I was wrong. It has since broke two more times, and this last time, I'm just going to say screw it. I've not thrown this mic or intentionally beat it on the floor or any such thing, it has simply fallen accidentally from heights not more than 3 feet at a time, which I would say is normal for a mic, accidents happen in the real world onstage. If you plan on taking this mic out of the case and actually using it, be VERY careful. It'll sound great, certainly, just as long as it doesn't hit the floor. The sound still gets a 10, but the reliability is an utterly crappy 2 and a half.