Osobne jsem TLM103 nezkousel, ale setkal jsem se s dost rozporuplnymi nazory na nej. Nekterym lidem na vokaly vyhovoval, ale spouste lidi ne (mrkni se na fora). Rekl bych, ze bude vhodnejsi spise na nastroje, jestli to je to, co hledas.
Je to mikrofon, ktery bych si rozhodne pred koupi dukladne vyzkousel, jestli mi bude sedet.
Ja tyhle navyskovane veci moc nemusim - osobni preference, ale jestli si dobre pamatuju, tak ty ses zbavil Goldmike, ktery se mi hodne libi a Adamu A7, ktere se mi take hodne libi, takze mas mozna uplne jine zvukove preference.
vokalni lampovy mikrofon do 20000Kc
Naposledy upravil(a) fova dne 27 bře 2007 00:30, celkem upraveno 1 x.
Hmm, tak to chapu.
Ja uz jsem se smiril s tim, ze asi nemuzu mit jeden uzasny preamp na vse, takze jsem vzal Goldmike na vokaly a zatim jen teoreticky uvazuji o necem jako RME Quadmic nebo DAV BG1 na nastroje.
Drazsi preampy uz by byly pro me hobby studio asi financne neunosne.
Krome Goldmike mam i SP VTB1, kdyby se ten Goldmike na neco nedal pouzit (treba ty nastroje) a potreboval bych cisty zvuk. Ale VTB1 je opravdu nouzovka.
Ja uz jsem se smiril s tim, ze asi nemuzu mit jeden uzasny preamp na vse, takze jsem vzal Goldmike na vokaly a zatim jen teoreticky uvazuji o necem jako RME Quadmic nebo DAV BG1 na nastroje.
Drazsi preampy uz by byly pro me hobby studio asi financne neunosne.
Krome Goldmike mam i SP VTB1, kdyby se ten Goldmike na neco nedal pouzit (treba ty nastroje) a potreboval bych cisty zvuk. Ale VTB1 je opravdu nouzovka.
K 49 capsule je v M149 a v 147. Kopie se moc nedelaj delaji se spis kopie K 47 capsule(Blue , Peluso-ale Peluso je ma z ciny jen je rucne vybira).M7 capsuli dela kopii jen Flea.(ale pochybuju ze je PVC.Spis bych rekl ze jim je dela Sigmun Thiersh) Skutecny M7 dela jen Gefell.Stejně je zajimave kolik tun mikrofonu se znazi napodobit starou K49 nebo M7, ale snad zadny takove dulezite varianty ajko treba K89.
K 89 kapsule klon zacaly delat Violet jako vymenitelnou hlavu na CMV, RED Blue violet mikrofony.
AKG 414 c ala C12 kapsuli ma sice CK12 kapsuli ale je z nylonu nikoliv z brass jakou ma C12 classic.Stejnou ma i C12VR a proto taky jako classic nezni:)
Jinak Milos z Flea je hrozne prijemny clovek.!Spolehlivy a kamaradsky.
Hudebník a producent, majitel studia Soundevice
http://www.boriscarloff.com | http://www.soundevice-studio.cz
http://www.boriscarloff.com | http://www.soundevice-studio.cz
AKG’s C12 sounded great (and is still highly prized today) and laid the foundation for more than a half-century of future AKG mic designs. Developed by AKG engineer Konrad Wolf, the C12 included an external box for selecting any of nine polar patterns, and its slender tubular housing was more compact than Neumann’s U Series and featured internal shock-mounting, so no external elastic suspension was required.
The heart of the sound of the C12 is its capsule, which uses a dual-backplate design invented by two Siemens engineers and results in consistent on-axis sensitivity when the polar pattern is changed. The C12’s CK-12 capsule paired the dual-backplate approach with two 10-micron diaphragms. (Two years later, the CK-12 capsule was upgraded to 6-micron Mylar capsules.) To expand AKG’s postwar distribution, the mic was also re-branded by Telefunken as the M251 and as Siemens’ SM 204. In the 1960s, as tube mics were losing popularity to the “convenience” of solid-state FET designs, the C12 was discontinued, later to resurface in slightly different forms. In 1983, “The Tube” used a C-414 capsule with the original C12 tube electronics but in a smaller body. The C12 finally reappeared in a more accurate re-creation in 1994, as the C-12VR (vintage reissue), which paired the C12 electronics with a re-tuned CK-12 capsule that simulated the acoustic signature of the orignal C12.
The heart of the sound of the C12 is its capsule, which uses a dual-backplate design invented by two Siemens engineers and results in consistent on-axis sensitivity when the polar pattern is changed. The C12’s CK-12 capsule paired the dual-backplate approach with two 10-micron diaphragms. (Two years later, the CK-12 capsule was upgraded to 6-micron Mylar capsules.) To expand AKG’s postwar distribution, the mic was also re-branded by Telefunken as the M251 and as Siemens’ SM 204. In the 1960s, as tube mics were losing popularity to the “convenience” of solid-state FET designs, the C12 was discontinued, later to resurface in slightly different forms. In 1983, “The Tube” used a C-414 capsule with the original C12 tube electronics but in a smaller body. The C12 finally reappeared in a more accurate re-creation in 1994, as the C-12VR (vintage reissue), which paired the C12 electronics with a re-tuned CK-12 capsule that simulated the acoustic signature of the orignal C12.
Hudebník a producent, majitel studia Soundevice
http://www.boriscarloff.com | http://www.soundevice-studio.cz
http://www.boriscarloff.com | http://www.soundevice-studio.cz
syncro muzu ti dat telefon na Milose..je hrozne vstricny..
myslim ze by ti je klidne dovezl domu k vyzkouseni.
myslim ze by ti je klidne dovezl domu k vyzkouseni.
Naposledy upravil(a) carloff dne 17 bře 2007 12:28, celkem upraveno 1 x.
Hudebník a producent, majitel studia Soundevice
http://www.boriscarloff.com | http://www.soundevice-studio.cz
http://www.boriscarloff.com | http://www.soundevice-studio.cz
Par informaci o Flea vcetne cen:
http://www.flea-microphones.com/indexUS.htm
http://www.audioaddict.fr/product_master.php?fid=1-uk
http://www.gearslutz.com/board/showthre ... 320&page=2
Ceny jsou pro me dost vysoke, takze jedine, o cem bych alespon teoreticky uvazoval je Monday a Tuesday
http://www.flea-microphones.com/indexUS.htm
http://www.audioaddict.fr/product_master.php?fid=1-uk
http://www.gearslutz.com/board/showthre ... 320&page=2
Ceny jsou pro me dost vysoke, takze jedine, o cem bych alespon teoreticky uvazoval je Monday a Tuesday
Naposledy upravil(a) fova dne 17 bře 2007 12:58, celkem upraveno 3 x.
